That Drifting Excrement Was Far Too Symbolic! These Are the TV Letdowns of the Past Year.

As we reflect on the TV offerings of the past year, a selection of series stand out not for their brilliance, but for their spectacular failures. From cringe-inducing spin-offs to confusingly bad docuseries, here are the programmes that had us scratching our heads or simply reaching for the remote.

And Just Like That

Where to begin with this love/hate spin-off? Burdened with woeful writing, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show fought to justify its existence. For a moment, as the final season started, it looked like it had finally hit its stride. Then came an installment all about Seema’s natural deodorant. No wonder the creator announced this would be the final series. It ended on a low point; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Still, fans undeniably found joy picking apart every single “what on earth?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t release a little sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the smallest of this drama's issues. The recipient of a exceedingly uncommon zero star assessment, it was hard to know where to start listing the problems. The hilariously leaden dialogue? The tedious veneration of affluence and materialism? The almost deliberate procession of tropes? Acting so poor they felt almost malicious? Let’s just say “each and every one” and forget about this show again. However, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Considering the legal troubles, domestic violence claims and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d really have gleaned it from this three-part documentary which chuckled along at Sheen’s various episodes of self-destructive excess while struggling to tell us a single thing we weren't already aware of. Rather, it felt as if this volatile personality was being indulged, so any sympathy this series might evoke should be reserved for the people who have had to suffer close contact with this charming but flippant egotist.

The Supercomputer Drama

Of course we understood it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure love for its leads … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. Talk about admitting defeat.

MobLand

Dodgy characters meeting in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the embarrassment of having to indulge unconvincing dialects. But there were plenty of other problems. Mainly that it was just really dull; a conflict over drug-selling territory between various cockney picaresques which felt a bit basic.

With Love, Meghan

Considering the extent to which she provokes the ire of the nation’s performatively angry commentators, it’s almost easy to admire the Duchess of Sussex’s various forays into twee homemaking as intentional provocations. But then you watch them and are compelled to concede that in this case, they might have a point. It’s like watching a lifestyle magazine animated; a meme for evening drinks with delusions of grandeur; a procession of sleeping dogs, buzzing beehives, sentimental sayings and pointless crafting “tips” you’ll forget instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be discussed about regarding Victoria Beckham and her journey with career, identity, self-worth. But for some reason, this three-part series opted not to explore them. Rather, the experience was akin to consuming a sales brochure. She clearly has every right to bridle at what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this cagey letdown of a series.

The Game Show

It should have been the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a sharp-tongued personality managing her estate. What more could you want? As players battled it out, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s even now too confusing to detail what precisely was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The series ended up reeking of a programme that was trying way too hard to emulate something far greater than it.

Too Much

How does one follow a show that captured a generation? The expectation was immense for this glitzy romcom about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The star took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was not enough. Plus, the abundance of celebrity friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the shrewd inclusion of talented younger comics, hopes were high. But sadly, most of it didn’t land. A recurring sketch was a single joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a familiar ranting mode. The behind-the-scenes sketches, in contrast, simply provoked the thought that they should probably have stayed in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be handled with care. Instead, the series struggled painfully to find the right voice, lumbering from oddly breezy, slightly stylised farce to ultimately, real-life horror. Twisted? Perhaps. A total mess? Absolutely.

The Maths Genius Thriller

We admire the lead actor … but did we believe him playing the most brilliant maths genius in history, a man so smart he’s on the brink of a discovery that could ruin society? Nope! This international thriller about government agencies targeting – and killing off – intellectuals honestly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality renowned for sexual exploits as she prepared for her biggest feat yet. What on earth would motivate her? What we wanted was far greater examination of her true psychology, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to drag her son away from the queue. What we got was horrific imagery and zero interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Deanna Duncan
Deanna Duncan

Alex Harper is a journalist and urban enthusiast with a passion for uncovering the stories behind city landscapes.